With 'Brick' there was the Dashiell Hammett influence, and with 'Brothers Bloom' there was a really strong Fellini influence - both those movies wore that on their sleeve.
Well, I think certain roles are chosen for us. The moment I read Pete Campbell I thought: I can do this, this is mine. And in Money, too. The truth is I turn down a lot of projects. If a character doesn't have some kind of internal struggle, it's no good for me.
Cormac McCarthy's language is perfect. He is in my view the greatest living American prose stylist.