Animation is tremendously resilient. Animation will recover, as art always recovers. There's always cycles of good art.
The man who comes up with a means for doing or producing almost anything better, faster or more economically has his future and his fortune at his fingertips.
I sailed a bit as a child, but it wasn't until I was around 40, when I was halfway through Patrick O'Brian's 'Master and Commander' novels, that I had the sudden epiphany that I had to go sail on a square-rig ship.

