When you start out, you have to make compromises, which include doing films of lower quality.
The second we see somebody on the street or meet someone, we make snap judgments about them, about who they are and why we wouldn't necessarily sit with them or why we would or what's cool or not cool.
Enormous enlargements of an object or a fragment give it a personality it never had before, and in this way, it can become a vehicle of entirely new lyric and plastic power.

