I think it's a change that I did not intend at the time but it is clear that, from The Flower of My Secret on, there is a change in my films. A lot of the journalists have very generously attributed this to my growing maturity.
It's necessary to track characters all the way through an opera. If you're dealing with more than one or two characters, it's very easy to forget that the others have lives of their own that feed into the story.
I've met so many people of my son's generation who think a sacrifice is when their satellite or Internet is out for a day and that the country owes them something. That old J.F.K. quote about 'what you can do for your country,' doesn't even seem to apply to so many people.