People ask me if my shoes were too small when I was a kid and I say it wouldn't matter how fight my shoes were, I just liked that feeling of them being in there. That's how I started tapping my toes.
“Well, let me, first of all, say, that as a microtonal composer, I've never been much of a theorist.”
“Those 25 dancers we worked with for a day, in as highly productive a way as possible - a long class, a period of teaching bits of the repertory - in fact I didn't teach Bank, I've used parts of Oil and Water.”