I feel like I was the only person who was capable of making this type of music in this type of way. I don't rap like nobody, I don't try to sound like nobody.
I like the idea of the documentary as a portrait. There's not a chronological beginning, middle, and end structure. You build something in the editing room that's shaped by getting to know the person and digging deeper, unpeeling the layers of them as you get to know them.
One of the speakers asked how many women had been harassed or abused sexually in their life? There were thousands of women in the audience, and almost every one of them raised her hand.

