We've always been the development project that lived in a time pressured setting and always where commercial entities were relying heavily on releases in a certain time frame.
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In New York, you couldn't wish for a nicer audience, or in L.A., Chicago, Boston. But when you get into secondary markets, they don't have a clue.
After I won the Tony Award, the film floodgates opened, so I was like a kid in a candy store.