Almost every college playwright or sketch or improv comedian was sort of aware of Christopher Durang - even kids in high school. His short plays were so accessible to younger people and I think that was inspirational to me.
Sometimes it just doesn't translate to people. You just move on, and you feel bad because people worked so hard on it and everyone loved it... Everybody was treated so well and was going for something and trying to do the best work possible.
In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response.

