I feel very much ideologically, politically if you like, and emotionally part of the European cinema.
I think you have to control the materials to an extent, but it's important to let the materials have a kind of power for themselves; like the natural power of gravity, if you are painting on a wall, it makes the paint trickle and it drips; there is no reason to fight that.
I think it's a Blondie tradition that all of our albums sort of have a wide spread of styles.