It's a wonderful thing working with young actors. I know a lot of people don't like working with children. I actually adore it, because you watch their imagination open up and you watch them start to learn this job that I've been doing for so long. They come with such a lack of cynicism.
That was just my own personal program: I didn't want to get too high over the good moments because I didn't want to be saddened and depressed when things didn't go as I had planned.
It is in the nature of the New Yorker to be as topical as possible, on a level that is often small in scale and playful in intention.

