I think it's a little simplistic to explain a work through the psychology of its author. In other words, that Haneke has emotional problems, so I don't have to take his films seriously. By using this argument, the viewer retreats from the challenges of the film.
Shortly after we arrived in Baghdad, we had another conversation with the ambassador. He said that he wanted us to give him the timeline, because we had 90 days to get these prisons operational and transfer responsibility back to the Iraqis.
I am trying to do two things: dare to be a radical and not a fool, which is a matter of no small difficulty.

