I did quite a lot of the arranging, fitting different sections together, tempo changes, all sorts of things like that. I actually acted as a bridge between Robert and Ian. Not so much composing, rather presenting musical ideas at each rehearsal.
I regret those times when I've chosen the dark side. I've wasted enough time not being happy.
I come from a very critical culture. You know the Scots. They're always saying: 'Oh, no. It will never work. You'll never amount to anything. You've got to know your place in the world.'