Some months ago, while I was preparing a new work, I told a young cinema executive my intention of including in a soundtrack two themes from Bach. But when he asked me which has been the last hit from that Bach?, then I knew that I had no longer place in cinema.
“We think of medieval England as being a place of unbelievable cruelty and darkness and superstition. We think of it as all being about fair maidens in castles, and witch-burning, and a belief that the world was flat. Yet all these things are wrong.”