Nowadays, if a studio assumes that his film is bad, there is always an executive that gets more nervous than usual and thinks that if they change the music, the film will become a masterpiece.
Often I'll try things that just won't happen the way I'd like them to, so hearing that they're not working saves me some wear and tear the next time around.
If Bret went in there and stunk the place out, then they probably wouldn't have brought the little brother in. So just by being successful himself, it opened the door for me.

