An interesting thing happened in 1989, right as I was graduating: the stock market crashed and really changed the landscape of the art world in New York. It made the kind of work I was doing interesting to galleries that wouldn't have normally been interested in it.
We have almost a city has probably two or three hundred committees. Every committee is dealing with just one problem and has nothing to do with the other problems.
I am far from perfect, but I have something else. I heard that people in the industry are longing for more personality and diversity. Perhaps I am more a 'character' than a model.