She stops, pauses, turns to the left to glance at some possible threat or irregularity, and then continues to the north. This motion, so intensely human, transcends time.
“You want to have butterflies in your stomach, because if you don't, if you walk out onstage complacent, that's not a good thing.”
“I wouldn't want the pressure of a Six Feet Under or the pressure of improvising like Curb Your Enthusiasm.”