It really lasted the whole game, because I was really untouchable, unstoppable that game. But it was heightened on one particular play, and that was the longest run where everything completely slowed down. My awareness was so keen, it was so heightened, it was really amazing.
The thing you can't let go of is gravity. The reality of gravity in writing. If someone says something really mean in a sitcom, and the next wave isn't a reaction to the reality of that, you start losing relatability. In a lot of romantic comedies, they throw out the rules of life.
In the best farce today we start with some absurd premise as to character or situation, but if the premises be once granted we move logically enough to the ending.