Balancing my film career and my music will be something I'm just going to have to deal with, as it happens. I think I can balance it out; the choices will probably be pretty clear. If there's a movie I just have to do, I will work the music around it.
I admit I can't shake the idea that there is virtue in suffering, that there is a sort of psychic economy, whereby if you embrace success, happiness and comfort, these things have to be paid for.
I don't have a single complete show or movie or anything else that I could look at and say, 'Nailed that one.' But endless dissatisfaction is, I suppose, what gets us out of bed in the morning.

