Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn't be serially calibrated because they were too complex in character.
When I was at Hartford in Connecticut, where I lived during the war, I published several pieces which were well received, not only by those of my own colour, but by a number of the white people, who thought they might do good among their servants.
It was the most pleasurable thing I've ever done, playing this character, and I just remember feeling so at home and so - I don't know, I was just happy - and it just wasn't ever work! It was like a sandbox for me, and I would crack myself up rehearsing.

