When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them.
This is my first experience working in a foreign movie, but the mechanics, I think, are pretty much the same all over; you still have to wait in the trailer.
But being on location and shooting, whether its in Puerto Rico or Atlanta, it always reminds me of how really cool my job can be. Interacting with the fans is one of the best parts of it.