So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own.
I won't mention names, but in my career, the most talented people invariably are the easiest and nicest to get along with.
It's the same thing in a way, although writing a book is a very solitary thing.

