I was walking along and this chair came flying past me, and another, and another, and I thought, man, is this gonna be a good night.
“So, in other words, how you respond to a sculpture, how a viewer sees the sculpture, is vital.”
“I think it has other roots, has to do, in part, with a general anxiety in contemporary life... nuclear bombs, inequality of possibility and chance, inequality of goods allotted to us, a kind of general racist, unjust attitude that is pervasive.”