I was never OJ's closest pal, and the media would say that over and over, but I wasn't his enemy either.
There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course.
I do not understand where the idea came from that opera is only for privileged people, I am as happy singing before 70,000 people at the Millennium Stadium, as I am in front of a few hundred in a small concert hall.

