It is not these well-fed long-haired men that I fear, but the pale and the hungry-looking.
I never felt happy with the idea that part of what I do is to be an object to be looked at. I thought of my public persona as an entity separate to myself.
You will find hardly any improvising on camera anywhere in my films. It's very structured, but it's all worked out from elaborate improvisations over a long period, as you know.

