I can't see why we can't toss in a Junior Walker or Wilson Pickett number in every once in a while.
And when I first came out from New York, I hadn't driven in a long time. Now I'm like Joe Speedster.
I admired the work of photographers like Beaton, Penn, and Avedon as much as I respected the grittier photographers such as Robert Frank. But in the same way that I had to find my own way of reportage, I had to find my own form of glamour.

