I've always been a fan of the 19th century novel, of the novel that is plotted, character-driven, and where the passage of time is almost as central to the novel as a major minor character, the passage of time and its effect on the characters in the story.
In no instance is there to be a musical or opera of Inherit the Wind because it doesn't sing. It's an intellectual play.
Being on the run, having to change the way that you do business, being unable to plan in a safe and secure environment, always looking over your shoulder, knowing that some day somebody's going to knock on your door and it's going to be your last.