The experiment of the poem is mostly intuitive. I write the first draft, pulling in the various elements that interest me, in the hope that their being combined will lead to some kind of insight.
I like conventions. I like meeting and greeting. I'm perched on that edge where I'm getting more attention than I quite know what to do with, though.
I think some of the special effects in Close Encounters hold up better than the new more expensive special effects is because they were better actually.