I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.
The vast majority of prisoners at Abu Ghraib, even after interrogation, had no further intel value whatsoever.
It is a way we reassess our past. We can do that in poetry in ways we can't do in prose.

