I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are.
I had formed a black movement, so I would speak for the Trotskyist movement and then walk about a hundred yards to where the black movement was speaking.
A friend in the War Office warned me that I was in Kitchener's black books, and that orders had been given for my arrest next time I appeared in France.

