I always think first about the nature of the story. When I had the idea for 'The Namesake,' I felt that it had to be a novel - it couldn't work as a story.
At the moment, in Britain we're facing such enormous cutbacks in education programs and music programs and art programs that you feel you are knocking your head against a brick wall.
When she was in United States, we maintained contact, we talked to each other on the phone, almost every night. And there was one occasion I tried to fix this video conferencing but somehow it did not come out very well enough so better to talk on the phone.