I always think first about the nature of the story. When I had the idea for 'The Namesake,' I felt that it had to be a novel - it couldn't work as a story.
				I was a daydreamer, and there is a lot of history and geography and science I missed out on because I was in my head. And I regret that.			
				
			As an actor, there's a bit of you that's decided you want to be looked at and watched, but there's a paradoxical bit that wants to run away.			 
			

 
