I think that technology has both introduced new sounds but also allowed an increasingly painterly approach to recording music as you can now paint over what you've done and more and more refine an existing performance.
But one did not do feminist theory, as such, in those days, not only because male academic discourse did not recognize such a term, but especially because the women's movement did not either.
I get called an adrenaline junkie every other minute, and I'm just fine with that.