To see him there lifeless and breathless was very emotional for me. But I held myself together because I knew he's very much alive in his spirit, and that was just a shell. But I kissed him on his forehead, and I hugged him, and I touched him and I said, 'Michael, I'll never leave you. You'll never
				But a writer's contribution is literary and a film is not literary. When you take that stuff off the page, and cast the people who are going to fit into those roles, that's what being a director is.			
				
			One reason we lasted so long is that we usually played two people who were very much in love. As we were realistic actors, we became those two people. So we had a divertissement: I had an affair with him, and he with me.			 
			

 
