One of the reasons that I do a lot of different kinds of pictures is because I learn a lot when I'm doing them.
At 20, 25, 30, we begin to realise that the possibilities of escape are getting fewer. We have jobs, children, partners, debts. This is the part of us to which literary fiction speaks.
In dealing with Englishmen you can be sure of one thing only, that the logical solution will not be adopted.

