I'm aware of cliches and I'm aware of experiments that have been done and I'm aware of a kind of deadness to a lot of realism both in the language and in the structure of a book.
I've written enough books with real celebrities, such as Walter Payton and Hank Aaron and Billy Graham, to know that fame looks good only to people who don't have it.
Deep, unspeakable suffering may well be called a baptism, a regeneration, the initiation into a new state.

