I want an ending that's satisfying. I'm more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don't like when it just seems to putter out. I mean, life is chaotic enough.
I don't think an actor ever wants to establish an image. That certainly hurt me, and yet that is also what made me successful and eventually able to do more challenging roles.
A lot of people when they try to sing Skid Row songs, they're screaming and yelling too much. It's more singing than screaming.