I mean, when I got to Brown, the place was riven, because you had older professors who were basically new critics and had been teaching a certain way for 30 years. And then you had this other gang who was down with the semiotic program. And as a student, you were, in a way, forced to choose which co
I'm not really one of those people who believes that if you're a musician you can just leave that behind and start getting into politics.
If I would go up on a high note, Eddie would want a low one. That's how petty the situation had become.