In Europe, there are many filmmakers working in the same territory: immigration, and the things that are most disruptive to European life today. That's not a judgment. I think it's good that cinema looks at such things.
You know, I do not think it is necessarily looks, I do not think I am the prettiest girl... Everyone has something that is their asset, some have the hair, some have the cheekbones, others have the lips. But once you know what is your asset, then you should capitalize on it.
But on this show, it's a good question because in the 35 shows that we've done now, I've really made a consistent effort to really shadow the directors because in many ways they have to be more prepared than feature directors.