In documentaries, you're confronted with reality; you can not manipulate or move it.
“I worked on 'Sarah Connor' even longer than 'Firefly.' And I always remembered how generous everyone was to me when I didn't know what to do, and I didn't know the rules, and I didn't know camera angles, and I didn't know lighting.”
“My real father died when I was two years old, so I never knew him. He was a barber in Chicago.”