Most of the power of painting comes through the manipulation of space... but I don't understand that.
You may get skinned knees and elbows, but it's worth it if you score a spectacular goal.
A journalist is supposed to present an unbiased portrait of an event, a view devoid of intimate emotions. This is impossible, of course. The framing of an image, by its very composition, represents a choice. The photographer chooses what to show and what to exclude.

