But I must own that I also felt stirred by an unselfish desire to voice all the joys and sorrows, the hopes and ambitions, of the American Negro, in classic musical form.
When I played with the Knicks, I was just as important or just as smart as any other of the guards I played with. I still had to call out plays, notice schemes, know the systems, do everything they had to do.
There is something I feel when I animate something; you can never really understand the character you're animating unless you've had the opportunity to turn it around. Once you've done that, you know it is a three-dimensional object.