I watched a couple of really bad directors work, and I saw how they completely botched it up and missed the visual opportunities of the scene when we had put things in front of them as opportunities. Set pieces, props and so on.
“The aftermath of the war is what inspired us to write many of our plays. The whole reason for our writing Inherit the Wind was that we were appalled at the blacklisting. We were appalled at thought control.”
“I was interested in maintaining the dignity and the hearts of the songs, letting them breathe and become what they are.”