Yes, sometimes I think that all my writing is nothing more than the compensatory work of a frustrated painter.
People ask me what the appeal of 'True Blood' is and I think there are so many answers to that question, but I think that when there is so much excitement for what you do there is no way that that doesn't become palpable and comes shooting out like bullets.
If, as is natural, you focus on the corruption and on those threatened institutions that are trying to prevent change - even though they don't really know what they're trying to prevent - then you can get pessimistic.