There are two kinds of people, those who do the work and those who take the credit. Try to be in the first group; there is less competition there.
I worked on 'Sarah Connor' even longer than 'Firefly.' And I always remembered how generous everyone was to me when I didn't know what to do, and I didn't know the rules, and I didn't know camera angles, and I didn't know lighting.
Finally, there's a sense in which I look at this Westminster village and London intelligentsia as an outsider.

