When we meet, I'm interested and I'm curious about what he's doing because he's burning a number from a client. And I'm like, 'Who is this?' and my girlfriend's like, 'That's a drug dealer. Stay away from him.'
The instinct to impersonate produces the actor; the desire to provide pleasure by impersonations produces the playwright; the desire to provide this pleasure with adequate characterization and dialogue memorable in itself produces dramatic literature.