In classical oil painting, there seemed to be a radical turn to seeing things as the camera sees them, with that technological modification. I began to have a tremendous problem with all of this.
Sometimes you just work, you work, you work, and you have no life, no boyfriend, you have no more friends, no more nothing, you just make movies, and you're tired, and you don't know why. Then everybody says, 'Oh you are so lucky, you are working!' And you're like, 'Oh yeah, oh yeah, it's so great!'
Chinese buildings are like American buildings, with big footprints. People don't care about daylight or fresh air.

