In classical oil painting, there seemed to be a radical turn to seeing things as the camera sees them, with that technological modification. I began to have a tremendous problem with all of this.
We have to admit that, notwithstanding all the efforts in which governments and peoples have participated, no corresponding change has been wrought in the aspect of the world's armaments.
One likes to think that one anticipates changes in the spaces we inhabit, and our ideas about space.

