I have a big family and had to move them all from the coast of Oregon to New York three times for the workshops and for the actual production itself, which had about a four month development rehearsal schedule.
“Those 25 dancers we worked with for a day, in as highly productive a way as possible - a long class, a period of teaching bits of the repertory - in fact I didn't teach Bank, I've used parts of Oil and Water.”
“It's always difficult when you're on a show that goes for more than a year or a couple of years.”