The BBC were not playing the music that was happening on the street so we did an independent production because we knew we had an audience. Then we licensed the album to EMI.
“In every thriller written about Washington, particularly after 9/11, there are good guys and there are bad guys, and there's no gray area at all.”
“I knew I had to get out of Boston and stop making movies there, at least for one movie, otherwise no one would ever consider me for a movie that took place south of Providence.”