When the drama attains a characterization which makes the play a revelation of human conduct and a dialogue which characterizes yet pleases for itself, we reach dramatic literature.
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“Art need no longer be an account of past sensations. It can become the direct organization of more highly evolved sensations. It is a question of producing ourselves, not things that enslave us.”
“I just kind of change, constantly, what my focus is. So whatever is stimulating me or inspiring me at the time is what I focus on.”