There is no essential difference between the material of comedy and tragedy. All depends on the point of view of the dramatist, which, by clever emphasis, he tries to make the point of view of his audience.
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“There are three classes of men; the retrograde, the stationary and the progressive.”
“Normally, an actress has to work to bring out her male side. In our case, the dynamic is reversed. The actor playing her modelled himself on Sharon Stone.”