There is no essential difference between the material of comedy and tragedy. All depends on the point of view of the dramatist, which, by clever emphasis, he tries to make the point of view of his audience.
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I have written about the dispossessed, immigrants, the condition of women who do not enjoy the same legal rights as men, the Palestinians who are deprived of their land and condemned to exile.
The Mirror Stage as formative in the function of the I as revealed in psychoanalytic experience.