The instinct to impersonate produces the actor; the desire to provide pleasure by impersonations produces the playwright; the desire to provide this pleasure with adequate characterization and dialogue memorable in itself produces dramatic literature.
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“The box got bigger, the outside, the buildings. And all that we were doing. I had to raise about $1 million every two days just to stay alive.”
“Losing yourself in the character opens you up in a way that no amount of precise preparation can.”