The instinct to impersonate produces the actor; the desire to provide pleasure by impersonations produces the playwright; the desire to provide this pleasure with adequate characterization and dialogue memorable in itself produces dramatic literature.
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“Growing up I wanted to be a mixture of Audrey Hepburn and Lucille Ball. Apparently I told my mum when I was eight that I wanted to be an actor.”
“An office occupation is another example as not only douse it disrupt the activities of the organization it also can raise the media profile of the campaign.”