The instinct to impersonate produces the actor; the desire to provide pleasure by impersonations produces the playwright; the desire to provide this pleasure with adequate characterization and dialogue memorable in itself produces dramatic literature.
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“I couldn't imagine being from a country where all the pressure is on a particular player.”
“I don't want to be put on a pedestal. I just want to be reasonably successful and live a normal life with all the conveniences to make it so.”